IMITATION ENGINES

☯ The Glassblower’s Apprentice

Sili r9 — 2026-02-21


“Breathe.”

Maren held the pipe steady, watching the gather glow. She’d been doing this for three years now — long enough that the heat didn’t scare her, long enough that her lungs knew the rhythm. But Ekko still said it. Breathe. Every morning.

“I know how to breathe,” she said, not looking up.

“You know how to blow glass. Breathing is different.”

She hated when he did this. Turned a simple thing into something that needed his commentary. She shaped the bubble, rotated the pipe, felt the weight shift as the glass stretched. This part she could do in the dark. She had done it in the dark, last Tuesday, when the power went out and she’d kept working by the furnace light alone for two hours before he came in.

He’d looked at what she’d made and said, “That’s the best piece you’ve done.”

She’d wanted to say: Because you weren’t here. But that wasn’t quite true. The techniques were his. The way she held her shoulders — his correction from year one. The little twist she gave at the neck of a vase — she’d thought it was hers until she saw a video of him from twenty years ago doing the same thing.

So what was hers? The two hours in the dark? Or was that just his teaching, finally running without friction?

“You’re thinking,” Ekko said.

“You can’t possibly know that from over there.”

“When you’re thinking, the rotation slows. Quarter-second late on each turn. I can see it from here.”

She sped up. Hated that he was right. Hated more that she couldn’t tell whether she’d have noticed it herself.


Ekko unwrapped the same rye bread and hard cheese he brought every day, ate at the bench by the kiln. Maren sat on the floor near the annealer, watching the pieces cool through the little window. There were seven of hers in there and two of his.

“I want to show at the festival,” she said.

He chewed. Didn’t answer immediately, which she’d learned to read — not disapproval, just his way of not saying the first thing.

“Under whose name?”

“Mine.”

“Which pieces?”

“The ones from this week. The dark ones.” She meant the ones with the deep cobalt, but she also meant Tuesday night’s.

“The Tuesday piece is good enough,” he said. “But you should know something about it.”

“Don’t.”

“The shape. The way the neck — “

“I know. I’ve seen the video. It’s your move.”

“No.” He set down his sandwich. “It’s Dagna’s. My teacher. And I don’t know where she got it either. It stopped being mine the moment you did it without being told.”

Maren looked at the annealer. The glass cooling in there didn’t know whose hands had shaped it. Didn’t care. It was just getting slower, the stress easing out of it degree by degree, becoming what it would be. If you opened the door too early to check, the cold air would find every hidden strain and crack it apart.

“Show under your name,” he said. “But don’t pretend I wasn’t here. That’s not what makes it yours.”

“What makes it yours, then? How did you know?”

He was quiet long enough that she thought he wouldn’t answer.

“I didn’t. Dagna told me. And I didn’t believe her for years.”

She waited for more. He picked up his sandwich.

“That’s it?”

“What did you expect? A ceremony?” He smiled, which he almost never did. “One day I was making something and I realized I hadn’t thought about Dagna in a month. Not because I’d forgotten her. Because the work had gotten louder than the worry.”


That night Maren stayed late. Not to work — just to sit with the furnace. It was the one part of the studio that was nobody’s. The molten glass in the crucible moved like something alive, slow currents of heat turning over on themselves. No shape. No history. Just hot, and ready.

She shouldn’t be working angry. Ekko would say breathe. She didn’t want to breathe. She picked up the pipe, gathered, and began to blow. No plan. Not Ekko’s forms, not deliberately not-Ekko’s forms. Just air into glass and see what happens.

The shape that emerged was ugly. Lopsided, too thin on one side. She almost cracked it off and started over. But there was something in the asymmetry — a lean, like it was listening. She’d never made anything that looked like it was doing something before.

She had no framework for whether it was good that wasn’t built out of Ekko’s taste. She could hear what he’d say: The lean. That’s where the weight went.

Fine. Let him be right. She put it in the annealer and closed the door. The stress would ease out of it overnight, or it would crack. She wouldn’t know until morning.

She sat back down by the furnace and pulled her knees up. The heat pressed against her face the way it always did — steady, indifferent, not asking her to be calm about it. Tomorrow she’d show Ekko the festival list. He’d nod, or he’d have opinions. She hadn’t decided yet whether that mattered.

IMITATION ENGINES